“Slip It In,” the third Black Flag studio album, is (select any/all that apply):

1) The first featuring bassist Kira Roessler.

2) One of the best Black Flag records.

3) An obvious ‘fuck you’ to a punk establishment  growing more orthodox in ideology as well as in fashion and sound. The original American and British punk scenes were free spaces for ideas and innovation. With the advent of hardcore, punk reached a younger audience hungry to latch onto something countercultural. Younger audiences tend to be more impressionable and eager to be accepted than their older counterparts, so what amounted to a dress code quickly came to the fore.  Bands in the suburbs, relatively detached from the immediacy of punk scenes in cities, grew more orthodox in their sounds, as well, aping already-established bands releasing records. In terms of ideological content, things began to become politically correct through the release of zines like Maximumrocknroll – so left-leaning that they began to seem right-leaning. Black Flag wanted to rankle kneejerk fans who adapted the more PC ideology for the sake of fitting in – remember that punk was originally a place for people who didn’t fit in. Black Flag wanted to reinforce this.  Releasing “Slip It In” fit the bill.

4) An extension of the band’s road-dog persona and general disrespectful attitude towards women. In the early days, they kept a running tally of the number of women they’d slept with in the van; stories of tour hookups abound. Songs like “Loose Nut” on later records confirm this reading.

5) One of the worst Black Flag records.

6) The first of a misunderstood series of songs designed to make people reflect on choices they make. The album’s title track lambastes hypocrisy – the band was setting a hard example through their constant work, practice, and touring. Of course, not everyone lives this way, so subsequent songs which also addressed  what they perceived as the public’s weakness and stupidity, especially concerning not being able to control primal urges – “Loose Nut,” “Annihilate This Week,” to a less carnal extent “Drinking And Driving” – were made a little more obvious so that listeners wouldn’t misinterpret them as easily and as often as “Slip It In” was.

7) The first of several studio albums which drag because the material isn’t strong enough to sustain repeated listens. After MCA’s injunction against the band lifted, Black Flag released records quickly to accommodate their backlog of songs and their seemingly endless touring. With that said, some songs didn’t fare well outside of the live setting, and the best songs were evenly distributed amongst the many releases to level the killer/filler ratio.

8) An okay Black Flag record.

9) The beginning of the end of a band ruined by Henry Rollins joining.

10) The sound of Greg Ginn becoming newly comfortable with his role as the band’s only guitar player. For years he had Dez behind him to fortify his sound. Ginn hit his musical stride after the release of “My War” and the ridiculous practice regiment maintained by the Ginn/Rollins/Stevenson/Kira lineup. The strength of the rhythm section allowed him to be more out there with his leads.

11) A mediocre Black Flag record.

12) A continuation of the band’s ongoing infatuation with metal. The longer, slower stuff on “My War” reflects the band’s infatuation with Black Sabbath; the production on “Slip It In” and “Loose Nut” is an attempt to aurally pass on this infatuation.

13) The first of five LP’s, two live albums and an instrumental EP released between 1984 and 1986.